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Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts

Saturday, July 2, 2011

An octogenarian artist who mastered the landscapes

It was in December 2009, when our community’s [Chitrapur Saraswat Brahmins] spiritual head, Param Pujya Srimat Sadyojat Shankarashram Swamiji of Shri Chitrapur Math had visited us in Borivali, Mumbai that we had the opportunity to meet Shri. Shyamsundar D. Savkoor. The local committee had thoughtfully planned an art corner to showcase the work of the local talent by displaying select drawings and paintings, besides several other musical programmes for the bhanaps, who had congregated at the Vamanashram Hall, to seek Swamiji’s blessings. Among the various paintings on display, there were some amazing landscapes that caught our attention – they stood out by their sheer ability to depict the natural beauty of our lovely planet in vivid colours. It had to be the work of someone who had toiled to perfect his art and not a learner for sure, one thought! It turned out to be the recent creations of the (then) 82-year old Shri Shyamsundar Savkoor.

Although several children had sent in some lovely pieces created with their tiny hands for our visual delight, one could not but marvel at the creations of this humble octogenarian gentleman, who would certainly have many tips to share with the young budding artists, one surmised. Sure enough, on the following day, it was the accomplished artist himself, who was waiting at the entrance of art centre, eager to meet and provide inspiration to all the budding young contributors! The children were thrilled to find the senior-most amongst them showering praise for their work and suggesting improvements to help them progress further in their chosen arts. We had a brief chat with him during that first interaction, when we learnt that he had been actively pursuing the hobby ever since he had retired and eventually the hobby had turned into a passion.

It was then that we had planned to meet up with this great artist sometime – we needed to know more about him and his works and more importantly, my daughter Supriya could do with some guidance in her pet hobby. But the rigours of routine workplace and her studies meant that we put this off for later. Finally, we acted on our plans and called him up one weekend, with a request – could we spend some time at home with him – and maybe learn something? “Sure”, was the quick reply, “but only for a couple of hours, as I have a meeting to attend later”. So we went along with Mr. Chetan Pandit and his wife Chitralekha, our family friends and also keen art enthusiasts, who eagerly wished to meet up with him.

After the warm greetings, we quickly came up with our first request – we had seen only a few of his lovely creations a couple of years ago – and now we wished to see them all! This led to a marvellous treat – a slide show of several of his paintings captured on camera on their LCD TV – as master-pieces popped up on the screen to find awe-struck viewers desperately trying to keep their jaws closed during the session! It was a truly mind-blowing visual treat for us!

Shri Savkoor had been employed with Union Bank of India and had a transferable job that had required them to pick up their belongings and move to several places covering almost all states of India during his tenure with the Bank. He had cultivated his hobby early in life, but it had been hard work to begin with. He had not received any formal education in the arts nor had he joined any classes to hone his skills – it was basically self-taught. Perhaps we could say that Mother Nature herself was his true guru! Mastering the art meant trying out several landscapes with plain sky, seas and land over and over again – and if it did not come out as he wished it – out it went!

“How do you manage to produce such life-like paintings?” we asked. There was silence, but the answer could be found in his penchant for perfection. “If it doesn’t impress me I just tear it up. Don’t labour over a spoilt piece – if it isn’t coming right – just chuck it out and try another – or maybe sometime later”,, he advised. But obviously only practice makes perfect. We got several tips as he spoke to us - how to practice on small bits of cardboard paper that come with some wedding invitation cards; the kind of paper, acrylic paints, pencils, brushes that he preferred over others, how the brush-strokes should move; where to do the detailing and where not to – and more.

Although some of the early works had been portraits, most of his recent creations have been landscapes - usually acrylic paints on paper. “Observing nature is a pre-requisite for perfecting landscapes – have a close look at the clear blue sky with white clouds, monsoon-laden clouds during a storm, the sky during sunrise or sunset, the different hues that one sees in different seasons and times of the day, the trees, the terrain in rural settings before you venture to create your landscape.”

But eager art enthusiasts had more questions coming up – “Do you paint the background first or the tree?” “How do you get all these reflections in the water just the way they ought to be?” “How do you get the effect of the sunlight through thick foliage here?” But the octogenarian artist seemed to be more than happy to answer all these questions, for, as time passed, he forgot all about the meeting he wanted to attend! “It is not so important for me to attend it, i gather” he explained gently, to his delighted guests.

Now that he was retired, he would have all the day to himself for pursuing his passion, but he gets his inspiration mostly at nights – often, he finds himself painting late into the night unmindful of the time – and catch up with his sleep during the day. Daytime also happens to be his time to relax – which incidentally comes from his other hobby – he plays his Sitar whenever he can and his Guru comes over once in a week to teach him his favorite ragas even to this day!

Finally, we had a photo-session – some select paintings that we found remarkable, some pics of the master himself, at his work as usual – all to be posted in my blogpost for your viewing pleasure! It was a meeting that will be most cherished by us – and will be hard to forget in a long time to come! We do hope and pray that Shri Shyamsundar Savkoor is bestowed with good health and he continues to enthral us with more of his lovely paintings in the days to come!


The humble, eager-to-help octogenarian artist, Shri Shyamsundar D Savkoor.



The artist at work.

Pictures of some of his spectacular creations below





















Blogger's Post-script: The camera flash may have played spoilsport in some pics, although yours truly tried to avoid it by attempting a different angle this time around! Do post your comments which will be passed on to the artist from time to time.

UPDATED ON 08/08/2011 - More pics of his landscape paintings posted in a new post link here.

Friday, May 7, 2010

An artiste's touch to Seashells!



Thank you, Blogadda, for selecting this post as a Saturday Spicy Picks!

“You’ve got to meet her!”, my cousin’s wife urged us some time ago. So off we went to meet Smt. Leela Puthli at her residence at Mumbai, to see the wonders her dexterous fingers had painstakingly created from god’s creation that could be found aplenty in nature – in the oceans across the world. Seashells!

It was indeed a pleasure to meet a 74-year old artist, who had laboriously created lovely objects by lending her magic touch - transforming seashells into lovely flower arrangements like beautiful dahlias, exquisite jewelry boxes, breathtaking jewelry pieces that could be worn as bridal décor or by models featuring on fashion magazine covers. Those who adore the beauty of seashells and consider the numerous forms that one finds in the deep, blue sea or by the sandy beach side or rocky promenades, may wonder what can one do with such things as seashells, except display them in one’s show-case?


A flower arrangement made from seashells

“Lots!” would be Ms. Leela Puthli’s prompt reply. Having taken up the fascinating hobby in the mid 60s and a keen interest in Conchology (study of shells), she ought to know! Cultivating a hobby of collecting a wide variety of shells, she had royal company in Aristotle, Alexander the Great, Emperor Hirohito, King George III and Queen Victoria, who were all shell enthusiasts! But Leela Puthli went the extra mile by painting and transforming them into life-like flowers and plants! Soon enough, her family and friends began to appreciate her rare art form, by which she produced some rare masterpieces. There weren’t many who had made a mark in the field of shellcraft in those days. With her nimble fingers and hours of hard work, oodles of patience and a strong urge to be creative in her work, she would weave the shells into exquisite patterns, paint them and then paste them onto such mundane articles such as broken kitchen cabinet doors or throw-away cake bases!


A unique floral bridal-wear - a special creation for a special occasion

In this passionate indulgence, she had her husband, Ganesh Puthli, strongly by her side. He encouraged her to cultivate her hobby and also studied shells to their core – the myths behind shells, the scientific, historic, economic and ecological importance of these mere hard covers for soft, vulnerable creatures of the sea called molluscs, to protect themselves from bigger fish by hiding within these hard calcified beautiful forms, known to us as sea shells.


Another exquisite flower arrangement

Soon word went around her extended family and friends circles and people would pour in to see these lovely creations – plaques, vases, necklaces made of seashells - and, soon enough, would long to possess them! Having observed some displays in an aquarium, she decided to make some exquisite articles which she would want to be displayed alongside the ones at the aquarium. It was not long before her dreams were fulfilled. Soon orders began to pour in and even the Khadi Bhandar was impressed with her creations and wanted thousands of them! Her masterpieces, though, changed hands for “throwaway prices”, or shall we say one did not have to shell out too much? At times, she even gifted away some to her near and dear ones, because she valued relationships more than anything else in the world. And guess what they brought back in return? Various shells, fish scales (which she would use for the green leaves), broken doors, discarded boxes to help her with her next artwork!

But not all the shells the couple used to make flower arrangements were from well-wishers. Trips to beaches were often at odd times – in the mornings, to look for some fresh catch. Bivalves and univalves - Clam shells, cowries, scallop shells, tusk shells, chambered nautilus, gastropods – they would look for them high and low on several beaches along the coasts of India. The couple would also give talks and presentations at society events, she recalls, where her husband Ganesh, who is unfortunately no more, would, in a professor-like manner, explain all about this fascinating world to astounded audiences. Both Ganesh and Leela have written articles, which have been published in magazines like the Eve’s Weekly, The Illustrated Weekly of India, the Kanara Saraswat, Dharmayug (Hindi) in the mid ‘70s. Some prominent models and actresses have been featured in those pages displaying necklaces, bracelets, designer dresses using shell-work. Their work and passion have also been extensively covered by journalists in the Financial Express, Sunday Standard, etc.

Sadly, her hard work and the natural process of ageing have taken their toll on her fingers - with painful swollen finger joints, she is unable to pursue her hobby that brought her great satisfaction and a fair amount of popularity in her prime years. Considerate friends and concerned extended family members now call up to tell her not to exert herself and hurt herself any further! She talks about her large family and friends and often expresses her gratitude for their support, without which, she would not have been able to pursue her dreams. One cannot miss noticing the humility she has carefully preserved over the years. We seek her permission to capture the beauty of her works, which are on display at her residence, with the help of my digital camera to post on my blog for my readers and thank her for the time and kind courtesies extended to us.


Ms. Leela Puthli - the artist

While reading all the articles written by the couple and published by reputed magazines and the features carried by publications, I come across some great facts about wonderful world of seashells – anecdotes and snippets, being interesting tidbits, that I would like to share with you all along with some pictures taken by me of her amazing creations.

I do hope you enjoyed reading this post - as much as I enjoyed doing it!

Interesting Tidbits about Seashells from articles by the Puthlis:

1. The Hindu mythological tale about how seashells came into existence tells about how the Goddess Kanya Kumari, who plans to marry Lord Shiva and waits for the Lord bedecked in bridal floral grandiose, but by a quirk of destiny, this is not to be and so heartbroken, she throws away all the floral decorum by the coastline.
2. The molluscs live life safely in their shells, as we know. But perhaps it was the wish to have more space and just as we humans want to live in 2/3 BHK homes in cities, one variety of molluscs is blessed with chambers in its shells – something like rooms in our flats – that’s the “Chambered Nautilus”. It's design is an engineering and architectural marvel. A US submarine by the same name has been built based on the design of the chambered nautilus shell.
3. Cowries (kavadis) have been used as monetary units in the 17th to 19th Century AD. in parts of Africa and India. The cost of a cow was 2500 cowries and the Indian Rupee was worth 2400 cowries. An Englishman is said to have bought a mansion for 16 million cowries! Now we know why we say “shelling out money” for a big purchase!
Also explains the oft-repeated Hindi filmi dialogue “Ek phooti kavdi nahin doonga”!
4. Cowries have also been used in games like shatranj (in place of dice) in the olden days. After money – gambling! Now some folks gamble on cricket scores! Times may have changed – but we haven’t!
5. Shells have been used as tools and bowls in kitchens for serving (perhaps soup?) before the invention of modern utensils.
6. Broken shells have been used in horticulture being a source of calcium carbonate even today.
7. The scallop shell has been of significant importance in Christianity.
8. The Shell Company has a scallop shell as its logo to remind us of its humble beginnings - shells being their first business interest.
9. Indian conch shells (turbinella pyrum, shankha as we call it) enjoy prime importance in Hindu religion. A rare, left-handed variety (called sinistral) is believed to have mystical powers. The epic Mahabharata cites the “Panchajanya” conch that Lord Krishna blew before the Pandavas waged the war against the Kauravas. Each of the Pandavas had a separate conch, together blown was a clarion call for the opponents.
10. Some interesting web-links to explore the world of seashells (without really diving into the deep blue sea)
Some lovely pics here
Loads of information here
Explore the Wikipedia’s ocean of information here

Some of her plaques and articles made from shells











Wednesday, December 2, 2009

Sulochana-kaki, the Spirited Septuagenarian Sculptor


Thank you, Blogadda, for picking my post for the Spicy Saturday Picks!
Readers may have seen our daughter Supriya’s painting in my earlier blogpost here.

If Supriya took a keen interest in painting, we owe it all to her “Sulochana-kaki”, Mrs. Sulochana Haldankar, a kind-hearted elderly woman who lives in our locality. We heard about the art classes, which she conducted in her house from our neighbourhood friends. It was apparent from our first meeting that “Sulochana-Kaki” was extremely talented and loved to teach the little kids residing in our locality, the basics of drawing and painting. Once at her place, she would often forget the time and be at the assigned task for several hours, until we would go over to fetch her home. That Supriya was able to get an "A" grade, both in her preliminary and intermediate arts examination held by the state can be largely attributed to her art teacher!

Sulochana-kaki at work with her portrait painting

It’s been some time now that we hadn’t called on her and we heard that Sulochana-kaki had stopped teaching kids and was busy day and night with her sculpting and painting activities in preparation for an exhibition planned to be held at the Jehangir Art Gallery! It is not often that we come across such spirited septuagenarians, who have so much to do these days, do we? So we called on her last week-end to chat up with her find out she has been doing lately.

The gallery had been booked 2 years ago and it would be another 3 years for her exhibition to be hosted, she informed. Sulochana-kaki, who turns 75 on 17th December this year, is toiling to give shape to some of her sculptures and also on some oil-on-canvas portraits of eminent public figures which some institutions in her village of Malgund want her to do.

It was really kind of her to find time from her hectic schedule and let us know how she had begun her journey into this wonderful world of creativity where her hands would pick up mud and clay and create life-like busts and statues. Fortunate to have been born in a family, which held art forms in high regard, it was not difficult for her to pick up drawing and craft. Her father was a singer and stage-artiste and her mother would encourage her to make decorative articles like cloth-dolls, rangolis, embroidery and so on, on festive occasions. But as was the norm in those days, she married at the age of 16, even before completing her matriculation in 1953. She was not allowed to leave her house for 7 years after marriage, so she had to curb her creative urge to pursue her interest in the field of art.

It was only after an incident that happened seven years into her marriage, that her husband learnt of her artistic skills, when her society organised an art exhibition and she painted a woman offering her prayers to the sacred Tulsi outside her house. This humble work singularly proved to be the proverbial key which opened up the world for her! Her husband took keen interest in developing her special skills and provided her with any art material and also encouraged her to join a 3-year Diploma at the Modern Art Institute at Dadar. After completing this course, she had the opportunity to assist an artist who worked on portraits. She then joined the JJ Institute of Fine Arts and completed her Diploma in Drawing and Painting in 1965 and her Diploma in Sculpture and Modelling in 1970 in which she secured First Class.

“You are a girl, do you really want to sculpt?” everyone would ask her. “Yes, I just don’t want to do the course for some academic diploma – I want to sculpt!” she would reply firmly. In those days, no one had heard about female sculptors apparently. Soon she put to rest the doubts in the minds of one and all when her sculpture, depicting the court scene of Shivaji, won the Gold Medal at the annual exhibition at the JJ School of Art in 1970 and another sculpture, Mother and Child won the Bronze Medal at the exhibition organised by the Sculptors Association at the Jehangir Art Gallery in 1970. She thus became one of the early women to break the clay barrier, if I may say so.

Shivaji Maharaj in his court a classic depiction of the period

The artist receiving an award from the well-known writer, Shri Mangesh Padgaonkar.

Sculpting involves hours of toil, often standing or sitting in the same position, is that not very tiring and does that not stress her out, really, one may wonder. Firstly, she is so deeply immersed in her work that she often finds herself up at it upto 3 am and some times well into the next morning! “One normally does not get tired of doing what one enjoys”, she replies “and for the stress, I do some exercises” she replied. “One should always pursue hobbies that keep one engaged”, she concludes “so today when I live alone, I don’t really live alone I have my hobby which I cannot live without.”


So much was her love for sculpting and painting, that when her nephew suggested her to begin teaching kids, she was not at all inclined to do so. How could she teach such young kids the basics now? But then her nephew had a point – “If you teach youngsters, you will keep the art alive and your students will create beautiful work more than you alone can! Moreover the satisfaction will be immense”, he persuaded.

She liked the idea, and expresses gratitude to her nephew for this suggestion. Besides immense satisfaction and adoration from her students, she has also received support and help from their parents! So it was with a heavy heart that she had to stop the classes when she learnt there was much to do and could not carry on both these activities simultaneously.

Finally it was time to leave so we informed her about my blog and that I would need some pictures I would like to put up with the write-up, and she was kind enough to provide them. “Thanks for all the trouble you’ve taken” she said as we prepared to leave.

Trouble? She also has a great sense of humour, doesn’t she?

Post-script: Must thank Supriya and Amita for joining me in doing this post!

Images of Smt. Sulochana Haldankar's work below:


Goddess Amba Devi with 18 hands her creation that has stayed with her all along!


A Panel of Child God Bala Krishna helping himself to some curds hung high up


Mother and Child sculpture


Lord Krishna playing his flute


An old photograph of the artist in her younger days with her husband along with the bust of her mother.


Swami Vivekananda's Bust and Shirdi Sai Baba
All images posted above taken by me during the visit.

All images posted below are Courtesy: Image Photo Studio, Dahisar (E)

Pandit Jawaharlal Nehru's Statue


Goddess Amba Devi another image of her majestic creation made with great devotion


A passionate piece of sculpting


Lord Ganesh - intricate and artistic depiction


A statue of Poet Keshavsut - Kavi Krushnajee Keshav Damle Interestingly, the poet never had his photograph taken and Sulochana-kaki had to depend on the sketches of another artist to create this statue to be installed in the memorial behind Bhageshwar Temple. Some trustees objected in doubt of it being really representative of the great poet's looks, but finally accepted it and still stands at the memorial at Malgund.


The Trimurti at Elephanta Caves


Lord Dattatraya


Shirdi Sai Baba Statue


A close-up snap of Amba Devi - so you can notice the detailing!